I’m ready to start my second novel. I want to start my second novel. Unfortunately, my brain doesn’t seem to want to go there. My heroine’s voice is not coming to me as easily as it did with the first novel and I realize that’s because Mary Bishop was older. She was a mature woman who knew her back story and could tell it to me with ease, even the most painful parts. I only had to lead her through her current story. But Alice is only eighteen and doesn’t have that more complicated back story. She’s led a quiet childhood with only her girlhood dreams to tell her what life is all about. She has her plans, but doesn’t know that those plans are about to be changed in a dramatic and, in some cases, tragic way. It’s up to me to tell her this and I’m not having much luck. So it’s time to shake things up.
With “Mary Bishop” I just sat down and started typing. I knew bits and pieces of where she was going, but not how she was going to get there. Because she knew where she had been, and was able to tell me this so clearly, I was able to see her future…even if she couldn’t yet. I was able to be a pantser, writing by the seat of my pants. With “The Healing Heart”, Alice’s story, I’m going to need to be more of a plotter if I don’t want the story to get lost as it runs wildly down all the wrong paths.
I’ve been spending time this week reviewing my notes from @CandaceHavens regarding Book Mapping. Last October she outlined for us each step you needed to cover in order to map out the direction of your novel. This doesn’t mean every little detail, but knowing your benchmarks and when you need to hit them in your story. I will be following her directions as I map out “The Healing Heart” before I even start writing. (Yes, I already wrote the prologue, but it’s the body of the story that’s eluding me.)
Then, after I finish mapping my book, I’m going to draft this one by hand, not computer. For a long time I did all of my first drafts this way. It’s what I was used to since I’m not a part of the generation that grew up with computers. Over time, though, I taught myself to draft electronically. But I think I need to shake up my process in order to jump start my creative process.
According to a May 2016 article by Nancy Olson on www.forbes.com, handwriting with a pen positively affects the brain in three ways: it “increases neural activity in certain sections of the brain, similar to meditation”, it “sharpens the brain and helps us learn”, and it “forces us to slow down.” The act of writing by hand is creative; whereas, typing on a keyboard is analytical in nature. The hand movements used to create letters plugs into the regions of the brain tied to thinking, language, healing, and memory. This could actually lead to more creative thought as we are forced to slow down and our brain rests. I’ve learned that quite a few authors still draft this way.
And an extra benefit for me, it may stop me from constantly going back and editing rather than moving forward. This constant editing can, and has, brought entire projects to a dead halt. Editing as you go is so easy on a computer. It’s not as easy on paper; on the contrary, it’s rather messy. I want to train my brain to free-write. I want to be able to ignore the editor in me and just enjoy the creative process. With this in mind, I am packing my book map, my research and character notes, and a composition notebook in my suitcase for Florida in a week. I can’t think of a better place to sit with pen and paper than a warm sunny Gulf Coast beach.
This will be training for when I someday want to try Candace Havens’ “Fast Draft” method, http://www.candacehavens.com/index.php/workshops/. I was originally thinking I’d do that with this book, but it’s a rigorous write-your-book-in-two-weeks program that my brain is just not ready for and I want to do it right. Perhaps by book three my brain will be in shape to make that kind of commitment.
I’ve said it before, and I’ll say it again. I am addicted to the written word. The written word is a powerful thing. String them into sentences, the sentences into paragraphs, the paragraphs into stories, and you will be transported.
Life doesn’t always go the way we want it to, despite all our best laid plans and wishes. Sometimes life disappoints. This week I received my third rejection for my novel, “Mary Bishop”. They’ve all been encouraging; they’ve all spoken highly of my writing skills and research. The general consensus seems to be that it reads more like women’s or historical fiction with romantic overtones than a true “romance”. That’s all right. They’re not saying it’s a bad manuscript, just that I haven’t yet picked the perfect publishing fit. So, I have sent it out again. And after this, if necessary, I will send it out yet again. I will continue to resubmit it until I do find that perfect publishing house for me. It’s out there.
While we might have trouble remembering the words to this traditional holiday song, we all recognize it when it plays and stumble as we try to sing along. The debate that rose at this year’s Christmas Eve party was just what does the song mean? Are the twelve days of the song leading up to or away from Christmas Day? That question got me thinking.
Christmas is almost upon us and I’ve been busy baking cookies and making fudge. Sweets are a big part of Christmas, always have been. Who hasn’t read over and over, “Visions of sugar plums danced in their heads,” from Clement C. Moore’s poem “A Visit From St. Nicholas” published in 1823? (Better known today as “Twas The Night Before Christmas”.) And there’s the beautiful dance of the Sugar Plum Fairies in Tchaikovsky’s ballet “The Nutcracker” composed in 1892. While not as popular as they once were, sugar plums can still be purchased online.
I love poinsettias. Red, green, or white, it doesn’t matter; although I do prefer the red. This year I have a small red one as a center piece on the dining room table, as well as a large floor plant.
Christmas is a time of traditions. As I decorate our home this week I am reminded of one many of you have probably never heard of: the Christmas Pickle. The story is that this is an old German custom. You hang a glass ornament shaped like a pickle on the tree and the first child to find it gets an extra present. In our case it was something small, like a bag of M&M’s. If parents couldn’t afford to purchase an extra gift, that child was allowed to open presents first.
For my final Giving Thanks blog I have to say I am thankful for my family; not only the family that shares my DNA, but the family I married into, my church family, my writer family, my work family, my community family, etc. We are all family, and that means we don’t always get along. But that doesn’t mean I’m not thankful that they are in my life because even the negative can have a positive effect. We learn from our negative experiences, at least we do after we stop crying and complaining and asking everyone why so-and-so is so mean. Just as our own mistakes can teach us why we don’t want to do that again, other people’s mistakes can teach us why we won’t want to do that ourselves.
This week’s Giving Thanks is an easy one. I’m thankful for my writing community. Some are friends I’ve known personally for years, while others are just names and small pics in a Facebook group. But I credit all of them for keeping me going and getting me to where I am today: a completed novel requested and right now being read by two different publishers.